Mormon leader, Buddha, Jesus and Muhammad all appear in a South Park episode.
On April 14, Comedy Central’s “South Park” celebrated its 200th episode of “take no prisoners” animated comedy by dressing up the Prophet Mohammed in a bear suit. (It’s a long story...)
Unlike most of their show business rivals, when South Park creators Trey Parker and Matt Stone say everyone is fair game for ridicule, they mean it. This religiously themed episode targeted Moses, Jesus, Mormon patriarch Joseph Smith, and the Buddha with equal scorn.
Then, parodying the disputed dictum that Islam forbids visual depictions of its holiest prophet, the show's characters try to preemptively mollify angry radical Muslims by hiding Muhammad inside a giant bear costume. (Perhaps this was a nod to the British teacher working abroad who was sentenced to death for naming the classroom teddy bear “Muhammad” -- at the behest of her Muslim students.)
The next day (here in the real world) a tiny group with the grandiose name “Revolution Muslim” (led by a young convert from Judaism, no less) announced on its web site:
“We have to warn Matt and Trey that what they are doing is stupid, and they will probably wind up like Theo van Gogh for airing this show. This is not a threat, but a warning of the reality of what will likely happen to them.”
Theo van Gogh being the iconoclastic Dutch filmmaker who was murdered on the streets of Amsterdam in broad daylight by an Islamic militant, after making a film depicting the abuse of women in Muslim countries.
Unbowed, Stone and Parker faced the media, and revealed that Comedy Central had actually censored the anti-censorship episode prior to filming. The show was supposed to end with a speech challenging “intimidation and fear,” but the speech was cut, presumably on account of intimidation and fear.
I’m not inclined to defend South Park. On the whole, the show is tasteless, offensive and not something I would ever allow my children to watch.
However, I do defend Parker and Stone’s right to free speech, even if – especially if – I don’t like what they are saying. Without that coda, as Voltaire recognized, the very principle has no meaning.
In my latest book Shtick Shift, I devote an entire chapter to South Park’s treatment of stereotypes revolving around Jews and affluence. I may not like the program, but millions do, and it is one of the most important satirical shows of our time.
The controversy generated by that 200th episode has taken on a life of its own. One cartoonist impetuously declared May 20 “Everybody Draw Mohammed” Day – then chickened out, appearing on her website wearing a peace sign t-shirt and begging fellow artists to “Draw Al Gore” instead.
Too late. “Everybody Draw Mohammed” Day is scheduled to take place without her. The event’s Facebook group has over 13,000 members.
Comedy Central superstar Jon Stewart of the Daily Show defended South Park and mocked his cowardly employers on the air – but continued to work for them, naturally. That’s what’s known as “speaking Truth to Power” – while cashing Power’s check!
Another Daily Show performer (and self-described “liberal Muslim”), Aasif Mandvi, said he would find any cartoon depiction of Mohammed personally upsetting. But, he added, “Here's what's more upsetting. Someone, in the name of a faith that I believe in, threatening another person for doing it.”
Oddly enough, his more pertinent, not to say more courageous, remarks went largely unreported by the same media mavens who fell over each other to praise Stewart’s “bravery.”
Artists of all stripes have always been expected to be courageous, and even outrageous. As the rabbi of America’s most prestigious art school, Pratt Institute, I support and encourage students to express themselves through the arts.
Because let’s face it: there is something very Jewish about grappling with the discrepancies of power, which is exactly what satire is all about.
Jews have a history of wrestling with higher authorities. Ever since Jacob wrestled with the angel, battling with earthly (and even heavenly) power has been at the core of Jewish identity. Unlike many sacred books, the Talmud is more an anthology of arguments than a handbook of answers, in which sages fearlessly but reverently dissect every aspect of Jewish law, belief, philosophy and tradition.
Like Islam, Jewish tradition also prohibits the making of graven images. (That’s the Second Commandment, so it’s pretty important.) This explains why synagogues have no pictures of any kind on display.
However, Judaism doesn’t extend that prohibition to non-Jews, or threaten and intimidate those who create images we find disturbing. Given our contributions to, and reverence for, literature and the arts throughout the ages, and our own rich tradition of satire, that would be a very “un-Jewish” thing to do.
Simcha Weinstein is an internationally known, best-selling author. His first book Up, Up and Oy Vey!, received the Benjamin Franklin Award for the best book of 2007. He has appeared on CNN Showbiz Tonight and NPR, and has been profiled in leading publications, including The New York Times, The Miami Herald and The London Guardian. He is a regular contributor to The Jerusalem Post and The Jewish Telegraphic Agency (JTA), and other publications. He chairs the Religious Affairs Committee at the renowned New York art school, Pratt Institute. His latest book Shtick Shift: Jewish Humor in the 21st century (Barricade Books: 2008) is out now.